FILM-COM Financing, Packaging & Distribution Market

6 Annual June 16, 2015 to June 19, 2015

Add to Watchlist Qualify this Project
International
Film
Video
Short
Feature
Competition
Film Market
Submit Online
FILM-COM
@ Nashville Convention & Visitors Corporation
150 Fourth Ave. N., Suite G-250
Nashville TN 37219
USA
info@film-com.com
http://film-com.com

CLOSED FOR THE SEASON • Information may be outdated. Add this event to your Watch List and set a Remind-Me if you want to be notified when the next Call For Entries is posted.

Feature Film Project-in-Progress
FILM-COM is looking for feature film projects from the packaging phase to newly shot phase.

By packaging phase, we mean projects that are beyond the screenplay-only phase and have some elements such as production personnel involved, budget, ideally a business plan of some type, perhaps partial funding and/or distribution and/or talent attachments and anything that makes the work as marketable / commercially viable as possible to potential financing and distribution companies, co-production partners or packaging specialists.

>>>Screenplays with no traction yet established are not truly optimal to enter into FILM-COM. FILM-COM is not set up to process screenplays.<<<

Do not upload either a fully completed film or a completely unproduced script for your project. FILM-COM requires a 1-page synopsis, 1-sheet promo art, optimally a very brief promo video [2-4 minutes of sizzler or filmmaker's reel], and most importantly for you to complete the Project Status Form at www.film-com.com

In order to present to industry executives, potential financiers and co-production partners, you must plan to participate in Film-Com and exhibit your project at the New Project Pitch Expo, which will enable you to present to all execs in attendance, for as long as you can, and with as much detail as you have available. All official entries through Withoutabox will be given free booth space at the New Project Pitch Expo.

There are NUMEROUS opportunities for you to interact with industry executives during the span of FILM-COM, and you should engage in all these activities to establish as many relationships as you possibly can from the beginning of the process to the end. This is how contacts get made, how projects get packaged and ultimately launched.
Documentary Project-in-Progress
FILM-COM can assist with certain documentary projects that are in the packaging or partially shot phase, where completion capital is needed. Docs are typically not financed in the same manner as a feature film, and may involve partial / total grant funding or a television deal.

Documentaries tend to evolve in two categories -

1] festival projects that have no particular commercial objective or artistic restrictions or time limit, or
2] projects that are either commissioned by or can be cut for specific cable networks or PBS.

Category 1 generally needs to be funded via grants and/or patrons of the arts and/or non-profits who believe in the mission of specific documentaries. It can be very difficult to earn significant enough revenues on this type of doc to raise funds through private investors, unless the private investors, themselves, believe in the subject matter strongly and have no concern about earning a profit for contributing to the project.

Category 2 involves documentaries that are either deliberately tailored for one or more specific cable networks that can pay a significant licensing fee for the rights to broadcast the doc, or are projects that are commercial enough in subject matter and design to potentially warrant some form of domestic theatrical distribution -- realistically, these are very rare. In the case of docs where there is legitimate commercial potential, the budget of the project should be gauged according to the realistic range of revenues that might be earned via sales and licensing of the finished project.

Lastly, some documentaries may lend themselves to being prototypes for a television series. This avenue should be realistically contemplated.

Film-Com can help with Category 2 type documentaries and with those that might be applicable as prototypes for television series. You are welcome to attend [not enter] Film-Com with Category 1 projects, though we strongly suggest you pursue grants, private and institutional entities that believe in the mission of your film, or crowd-source fundraising mechanisms.

To reiterate Film-Com's primary focus on review of the business and marketing elements of any project:

Do not upload either a fully completed film or a completely unproduced script or treatment for your project. Film-Com requires a 1-page synopsis, 1-sheet promo art, optimally a very brief promo video [2-4 minutes of sizzler or filmmaker's reel], and most importantly for you to complete the Project Status Form at www.film-com.com

In order to present to industry executives, potential financiers and co-production partners, you must plan to participate in FILM-COM fully, and exhibit your project at the New Project Pitch Expo, which will enable you to present to all execs in attendance, for as long as you can, and with as much detail as you have available. All official entries through Withoutabox will be given free booth space at the New Project Pitch Expo.

There are NUMEROUS opportunities for you to interact with industry executives during the span of FILM-COM, and you should engage in all these activities to establish as many relationships as you possibly can from the beginning of the process to the end. This is how contacts get made, how projects get packaged and ultimately launched.

* * * * * * *
Television Project-in-Progress
FILM-COM accepts both scripted and unscripted television concepts.

Any series will ultimately require a network-approved showrunner to be attached. Some projects submitted to FILM-COM may already have a showrunner involved; if not, one of the purposes of FILM-COM is to connect commercially viable projects with appropriate showrunners.

FILM-COM accepts television concepts in the packaging phase, where either a pilot may be already shot and/or a show package is being assembled that includes pilot script, concepts for succeeding episodes, potential corporate sponsors, any talent or funding attachments and so on.

Television concepts fall into categories of scripted and non-scripted [aka reality], and in scripted they fall into various sub-categories including sit-com, one-hour drama, soap, game show and so on. Film-Com has various types of television executives participating, as well as other entities in the business who may provide connectivity to a wider array of television contacts appropriate to different projects.

Film-Com's primary focus is on projects-in-progress, and primary emphasis on review of the business elements of a project:

Do not upload either a fully completed film or a completely unproduced script for your project. FILM-COM requires a 1-page synopsis, 1-sheet promo art, optimally a very brief promo video [2-4 minutes of sizzler or filmmaker's reel], and most importantly for you to complete the PROJECT STATUS FORM at www.film-com.com

In order to present to industry executives, potential financiers and co-production partners, you must plan to participate in FILM-COM fully and exhibit your project at the New Project Pitch Expo, which will enable you to present to all execs in attendance, for as long as you can, and with as much detail as you have available. All official entries through Withoutabox will be given free booth space at the New Project Pitch Expo.

There are NUMEROUS opportunities for you to interact with industry executives during the span of FILM-COM, and you should engage in all these activities to establish as many relationships as you possibly can from the beginning of the process to the end. This is how contacts get made, how projects get packaged and ultimately launched.

* * * * * *
Video/Computer-Gaming
FILM-COM participants include both video-gaming and transmedia execs, as well as packaging reps, agents and potential co-production partner who can either help launch new video-game concepts or tie them into other media platforms such as feature films or television, and so on.

Do not upload either a fully completed video-gaming file or a completely unproduced script for your project. FILM-COM requires a 1-page synopsis, 1-sheet promo art, optimally a very brief promo video [2-4 minutes of sizzler or video-game designer's reel], and most importantly for you to complete the Project Status Form at www.film-com.com

In order to present to industry executives, potential financiers and co-production partners, you must plan to participate in FILM-COM fully, and exhibit your project at the New Project Pitch Expo, which will enable you to present to all execs in attendance, for as long as you can, and with as much detail as you have available. All official entries through Withoutabox will be given free booth space at the New Project Pitch Expo.

There are NUMEROUS opportunities for you to interact with industry executives during the span of FILM-COM, and you should engage in all these activities to establish as many relationships as you possibly can from the beginning of the process to the end. This is how contacts get made, how projects get packaged and ultimately launched.

MISSION & OBJECTIVE

FILM-COM Financing & Distribution Market is the only market in the world with a primary emphasis on works in the packaging phase that need completion financing, co-production partners or distribution interest to launch projects.

FILM-COM is a pragmatically focused packaging, financing and distribution market that connects works-in-progress or newly shot feature, television, documentary or video-gaming concepts with equity & lender financiers, domestic and foreign distribution companies, P&A funding, product integration specialists, potential co-production partners, agents, qualified producers reps and packaging partners who are connected to all of the above.

FILM-COM has
> The New Project Pitch Expo [NPPE] - overhauled for maximum involvement by all industry executives
> Speed Meet n' Greet with all execs, prior to NPPE
> Packaging, Financing & Distribution Summit -- hard core, useful panels on launching scripted television concepts, unscripted television concepts, independently capitalized feature films, documentaries, video-gaming and transmedia projects, as well has how to pitch and not to pitch
> An online new product catalog that remains available to execs until the project gets made
> Networking gatherings with execs - morning, noon and night
> Annual Film/Television Gala
> Opportunities for filmmakers to buy drinks for any industry execs they wish to approach [the execs are participating to look for new projects]
> And more ways to provide useful assistance to content creators.

The primary assessment is on a project's marketability.

FILM-COM is NOT a 'festival' geared for the consumer public; It is a transactional and educational business market designed to establish relationships for creators of new content seeking packaging, financing and distribution relationships.

FILM-COM has FILMOLUTION partnerships with the SCORE-COM Faith in Film Conference, Script-Com Screenwriting Workshop, Composers for Film & Television Symposium, Songwriters for Film & Television Forum, and emerging Latino CineTV Conference.

FILM-COM is designed so that content creators can spend days meeting industry executives who can make a difference, rather than an event where one is made to feel lucky to get 5 minutes of someone's time. The execs at FILM-COM are deliberately participating to interact with you.

ABOUT THE FESTIVAL

NO ZOO. JUST BUSINESS.

FILM-COM Financing, Packaging & Distribution Market
for
Feature Film, Scripted Television, Unscripted Television, Documentaries, Video-Gaming & Transmedia

Primary focus on works earlier in the curve, from the packaging phase to newly shot -- i.e., projects that need help getting launched.

Seeking both meaningful and marketable projects; i.e., artfully conceived concepts that have true commercial viability.

Industry participants have included and connectivity still includes:

The Weinstein Company
DreamWorks Animation
Lionsgate
SyFy
CBS
A&E
TruTV
Fox Television
American Public Television
William Morris Endeavor
UTA
Sony Affirm
City National Bank
RIVR Media
East-West Bank
Virgin Produced
Provident Films
Valhalla
Fox
The Film Department
NewMarket Films
Nu Image / Millennium
Star Partners Capital
River Road Entertainment
Ingram Entertainment
BRI Capital
Abramorama
Strategic Film Partners
AmeriComm Capital
POV
Cowan Entertainment
EchoLight Studios
Eisenberg-Fisher Entertainment Partners
Waking Giants Media
NETA Documentaries
Front Porch Entertainment
ARC Entertainment
The Panda Fund
Red Sea Media
Stone Management Product Integration
RegalWorks
Michael Uslan, Executive Producer "Dark Knight Rises" / Batman films
Gil Adler, Producer "Valkyrie"
Callie Khouri, writer "Thelma & Louise," creator of "Nashville" TV series
Tom Shulman, writer "Dead Poets Society"
John Hadity - Formerly Disney / Miramax- Financed over $4 billion in film projects
Numerous others, including qualified producer reps and attorneys who have networks of connections.


INSIDE FILM-COM

A market designed specifically for creators of feature film, television, documentary and video-gaming concepts who are tired of getting lost or the cold-shoulder at vast industry events, and spending months or years trying to launch projects through general consumer festivals.

The holy grail of independent filmmakers -- no nonsense connection to financing, distribution and other pragmatic entities that can help get a project made and to domestic & foreign markets.

If you have a work-in-progress, a short film that can serve as a prototype for a feature-length project, a television concept, a newly shot feature film that needs production capital, domestic or foreign distribution, P&A funding, product placement / integration partners, banks experienced in film, gap financing, and/or potential co-production partners, FILM-COM Financing, Packaging & Distribution Market is uniquely designed for you.

FILM-COM is centered in the multi-billion dollar entertainment capital of Nashville, Tennessee. We understand the meaning of international finance and distribution.

The primary assessment on all projects is your project's marketability, regardless of genre or subject matter. Our website at

www.film-com.com

provides a checklist of Marketability Factors used for assessment.

All projects officially entered are enabled exposure to distribution, financing and/or co-production partners, on site at the New Project Pitch Expo and via FILM-COM's online and print product catalog provided to all participating industry executives.

All official selections will be given the opportunity to present in-person to domestic & foreign distribution companies, financiers, and potential co-production partners who will be attending FILM-COM in June.

NOTE: YOU MUST BE PRESENT AT FILM-COM and exhibit your project at the New Project Pitch Expo This process has been overhauled from the past, to enable all execs days to visit all content creators, and spend as much time with all projects as they would like.

If your project is not selected as one of the most marketable, unlike the conventional festival, you can re-approach FILM-COM with the same project in the future as you accumulate elements of your film package such as key talent attachments, partial production capital toward the budget, a foreign sales partner, and so on.

FILM-COM is not a cultural event for general audiences. It is a market and practical system designed by filmmakers for filmmakers to establish pragmatic relationships.

IT IS IMPORTANT TO NOTE THAT THE OPTIMUM USEFULNESS IS NOT ONLY TO ENTER A PROJECT INTO FILM-COM, BUT TO ACTIVELY PARTICIPATE IN THE EVENT EACH YEAR, BECAUSE THERE ARE MULTIPLE DAYS AND MULTIPLE OPPORTUNITIES FOR FILMMAKERS WHO HAVE SUBMITTED A PROJECT TO NETWORK WITH INDUSTRY EXECUTIVES WHO CAN MAKE A DIFFERENCE TO YOUR CURRENT, FUTURE AND EVEN PAST PROJECTS.

www.film-com.com

ORGANIZERS

Andy van Roon (Chairman / GM )

GENERAL RULES

First of all, FILM-COM is not a festival. It is not designed for general consumer audiences. It is a transactional and informational business market. So FILM-COM is not about juries and prizes. FILM-COM is about making pragmatic connections to launch feature film, television, documentary, video-gaming or transmedia / multi-platform projects.

Secondly, because FILM-COM is a business market, the process is not about submitting a project to see if it gets "accepted"; it's about content creators getting the opportunity to connect directly with industry execs in film, television, video-gaming, financing, distribution, and packaging partners who are connected to all of the above.

THE PROCESS

*Registration & fee via WAB
**Fill out PROJECT STATUS FORM, with materials at www.Film-Com.com
***Plan to be at ALL events during the entire span of FILM-COM

*Registration Is Easy as 1, 2 3:

1] Content creators will register their work-in-progress -- either feature film, television concept, documentary or video-gaming concept -- and pay through Withoutabox.com. Filmmakers can register as many different projects and project types that they like, though each must be registered, paid for, and assessed separately.

2] After registration through Withoutabox.com, content creators then go to the Film-Com website at

www.film-com.com

and go to

PROJECT STATUS FORM

To:

A) fill out concise, essential business breakdown of each project submitted; i.e., if there is any funding attached; if there is any talent attached; how much funding is needed for completion; if there are any current deals for distribution pending, and any other details that are relevant to the business of the project
B) upload 1-sheet / promo art sheet on Project Status Form, which is basically a mini-poster that includes project art, key cast and production, tag line, relevant info [very condensed] about the project, project website, and contact info
C) upload synopsis of your project
D) provide link to promo video or at least filmmaker reel [promo video optimum].

IMPORTANT: The PROJECT STATUS FORM can be continuously updated by the content creator, and is used by FILM-COM to assess each project's marketability, as well as to look out for possible connectivity to potential financing, distribution or co-production partners for each project.

That's it. Registration complete.

NOTE 1: We strongly suggest that you read the Guidelines and Marketability Factors sections on the site at www.film-com.com

NOTE 2: If your payment via Withoutabox does not clear, your Project Status Form will not take effect; i.e., your project will not be officially registered in Film-Com.


**Project Connectivity to Financing, Distribution and Co-Production:

1] With the permission of each filmmaker, projects will be posted on the Film-Com New Project Catalog, which will be viewable by industry executives either attending or connected to Film-Com -- this includes domestic and foreign distributors, completion funds, film banks, gap financiers, product integration specialists, producer reps, and potential co-production partners.

2] The business information on the Project Status Form, 1-page synopsis and promo video material for each project will be weighed by Film-Com according to marketability to domestic and foreign markets.

3] All projects officially entered through Withoutabox will be given free booth space at the expanded 2-day New Project Pitch Expo -- this has been overhauled from the past to make sure that every industry executive will be walking the floor of the NPPE.

4] Content creators accepted into FILM-COM will be able to present their projects to all participating industry execs at the New Project Pitch Expo, as well as to FILM-COM board members who have connectivity to over 100 industry execs and financiers who may or may not be at FILM-COM each year. I.e., FILM-COM remains connected to an accumulating list of industry execs who may be useful for various projects.

***NOTE: Some projects are not encouraged to present at FILM-COM, mainly if they are too undeveloped. Any projects that pay a submission fee that are not allowed to formally present at FILM-COM will have the option of having their fee returned, or using that for a laminate to attend the seminars and other networking functions during the course of FILM-COM.***

5] CONTENT CREATORS SHOULD ACTIVELY ENGAGE IN NETWORKING DURING ALL EVENTS OVER THE MULTIPLE DAYS OF FILM-COM, AS WELL AS INVITE AS MANY EXECS AS POSSIBLE FOR COFFEE OR DRINKS AT ANY TIME IN THE PROCESS -- THIS IS HOW PRAGMATIC AND LASTING INDUSTRY RELATIONSHIPS ARE BUILT -- NOT IN A SPEED DATING SESSION WHERE EXECS ARE DELUGED WITH A BLIZZARD OF CONCEPTS, ONE AFTER THE OTHER.

6] The overall process means that all content creators bringing projects can be guaranteed various forms of exposure to industry executives via the New Project Pitch Expo, the printed and online catalog, networking sessions, to present their projects directly to entities seeking new works for development, acquisition and distribution.

7] FILM-COM FOLLOW-UP -- FILM-COM actually operates 12 months out of the year, so you should let us know in the weeks and months following FILM-COM what kind of progress you are making or not making, and if we can help, we will. Bear in mind that some projects may nott find interested execs to stick to at any given time, but oftentimes FILM-COM staff or our exec contacts circle back around to concepts that may secure interest at a later date. SO DON'T GIVE UP, no matter what anyone tells you.

NOTE A: It is expected that when you first register your project, it may be less developed than when it is presented to distribution companies and potential financial partners. It is important to register sooner than later, so that your project is on our radar screen, with the knowledge that elements can be added or improved over time.

NOTE B: IT CANNOT BE OVER-EMPHASIZED THAT THE MOST PRAGMATIC USE OF FILM-COM IS TO SPEND FOUR DAYS & THREE NIGHTS AT THE MARKET, ITSELF. ALL EMPHASIS SHOULD NOT BE PLACED ON A SINGLE, BRIEF PITCH.

BY ATTENDING FILM-COM, YOU WILL BE ABLE TO ESTABLISH PRAGMATIC RELATIONSHIPS FOR CURRENT, FUTURE AND SOMETIMES PREVIOUSLY UNDISTRIBUTED PROJECTS.

UNLIKE OTHER BUSINESS MARKETS, WHERE INDUSTRY EXECS ARE MAINLY THERE TO TALK TO EACH OTHER, OR SELL THEIR PRE-EXISTING INVENTORY, THE EXECS ATTENDING FILM-COM ARE SPECIFICALLY COMING TO ASSIST OR GET INVOLVED IN NEW PROJECTS -- POTENTIALLY, ONE OR MORE OF YOURS. SO MAKE THE MOST OF IT. NOBODY ELSE CAN DO IT BETTER ON BEHALF OF YOUR PROJECTS.

* * *




TERMS AND CONDITIONS

Film-Com Terms & Conditions I, the authorized representative of the project being submitted (the "Project"), acknowledge and agree as follows in connection with the Project's submittal for consideration for the Film-Com Financing & Distribution Completion Market (the “Market”): 1] I hereby confirm that the Project being submitted to the Market is a project-in-progress; more developed than just at the script phase yet not a fully produced and completed property; i.e., still needing some funding, distribution and other elements that would help bring my project to fruition and completion. 2] I hereby represent and warrant to the Market that the treatment or script for the Project has been registered with either the Writers Guild of America West [WGAw] or the Writers Guild of America East [WGAe] or the Library of Congress [LoC] prior to submitting to the Market, and that a REGISTRATION NUMBER must be provided with the submission to the Market. I hereby acknowledge that there shall be NO EXCEPTIONS, and that projects not providing a WGAw or WGAe or LoC registration number will be returned. I understand that the Market wishes to ensure that my project is fully registered and protected, prior to being reviewed by anyone participating in the Market. 3] I hereby represent and warrant to the Market that: (a) I am duly authorized, on my own behalf and on behalf of all other persons or entities who have any ownership rights or interests (including, without limitation, intellectual property rights) in or relating to the Project (the “Project’s Owners”), to present this Project at the Market, (b) presentation of the Project at the Market will not violate any law or any right or consent of any person or entity; and (c) the Project is not subject to any litigation, arbitration, or other adversarial claim or proceeding, nor is the Project the subject of any threat of litigation, arbitration, or other adverse claim or proceeding. 4] I further represent and warrant, on behalf of myself and the Project’s Owners, that the presentation of the Project at the Market will not violate or infringe any copyright, patent, privacy right, publicity right, trademark, service mark or any other personal or property right of any person or entity, and that the Project does not constitute or include a defamation of any person or entity. I have paid and will pay in full any necessary license fees, clearance fees, and other obligations, of any kind, arising from or associated with the presentation of the Project at or in connection with the Market. 5] In the event that the Project is selected for presentation at the Market, I acknowledge, on behalf of myself and the Project’s Owners, that presentation of the Project does not and will not create any confidential or fiduciary relationship between the Market on the one hand and myself and/or the Project’s Owners on the other. I further acknowledge, on behalf of myself and the Project’s Owners, that I and we understand that neither I nor any of the Project’s Owners will receive any compensation, prizes or cash awards at the Market. I acknowledge that no obligation of any kind is assumed by, or may be implied against, the Market in the event of, by virtue of, or as a result of the Market’s selection of the Project. I and the Project’s Owners understand and acknowledge that the selection of the Project by the Market does not and will not in any way constitute an express or implied endorsement or approval by the Market of the content of the Project or any opinion expressed therein. 6] I agree, on behalf of myself and each of the Project’s Owners, to indemnify and hold harmless the Market, together with each of their parents, affliliates, officers, directors, employees, attorneys, creative advisors, agents and representatives (collectively, “Film-Com Related Parties”) from and against any and all claims, losses, liabilities, damages, fees and expenses (including, but not limited to, reasonable attorney's fees and other costs) that may be asserted by any person or entity or may be incurred by the Market, Film-Com Related Parties at any time in connection with the Project or the Market’s use thereof, and/or arising from any breach or alleged breach of any representation made by me to the Market, including, without limitation, any express or implied representation in these Terms and Conditions. 7] I warrant and agree, on behalf of myself and each of the Project’s Owners, that the Project is being submitted to the Market voluntarily and without promise or inducement, and that the submission of the Project neither imposes nor creates any obligation or responsibility on the part of the Market any Film-Com Related Parties to accept the Project for the Market, to present the Project at the Market, or to return the Project to me or others. I further agree, on my own behalf and on behalf of the Project’s Owners, that I and the Project’s Owners, in submitting the Project for consideration, are waiving and relinquishing any right to assert any claim or commence any proceeding in any forum or tribunal against the Market or any Film-Com Related Parties, based upon, arising out of or otherwise relating to the submission, presentation, or failure to present the Project (including, without limitation, claims relating to any failure or refusal to present the Project at the Market, the presentation or marketing of the Project at or in connection with the Market, alleged oral or written representations by the Market or its representatives relating to the submission or presentation of the Project, and any other matters arising from or relating to the submission of the Project), whether such claims may be based on theories of contract, implied contract, tort, statute, or other legal theory. In the event that any claim is asserted or any proceeding is commenced in violation of the agreement set forth in the immediately preceding sentence, I agree, on my own behalf and on behalf of each of the Project’s Owners, to indemnify the Market from any and all claims, losses, liabilities, damages, fees and expenses (including, but not limited to, reasonable attorney's fees and other costs) that are incurred by any of the foregoing as a result of or in connection with any such claim or proceeding brought in violation of the representations and agreements set forth in this paragraph, including, without limitation, reimbursement of all attorney’s fees incurred or to be incurred by the Market or any Film-Com Related Parties in connection with any claim, arbitration or other proceeding brought or initiated by me or any of the Project’s Owners or any other representative of the Project. 8] In the event that the Project is accepted by the Market, I hereby grant, on behalf of myself and each of the Project’s Owners, each of the following rights to the Market, the Film-Com Institute and their related entities without reservations, conditions or qualifications: (a) the right to use footage, stills and/or titles, and information from or relating to the Project for promotional purposes; and (b) the right to issue and authorize publicity concerning the Project creators and the Project and to use all associated names, likenesses and biographical information. I also agree to provide contact information for the director and producer(s) of the Project and to grant the Market the right to provide this information to entities sponsoring Market events. 9] I represent that I am 18 years of age or older, or that, if I am younger than the legal age to enter into contracts in my state or country, I have provided the Market with a written consent from my parent or legal guardian. 10] I hereby understand that Film-Com is a non-profit entity whose mission is to provide connectivity for filmmakers to potential sources of financing, distribution and other contacts and resources in order to help bring their projects to fruition, that it is the full responsibility of the filmmaker to capitalize on such connectivity, that Market can make no guarantees about the success of any Project, and that Film-Com is operating in good faith to assist in any way it can. 11] By clicking "I Agree" below, I freely and voluntarily give and express my full and complete acceptance of all of the terms and provisions set forth in these Terms and Conditions. I acknowledge that no oral representations, inducements, promises or assurances of any kind, and no representations, inducements, promises or assurances not set forth in these Terms and Conditions, have been made to me or the Project’s Owners by the Market or any Film-Com Related Parties.