DECISIONS ALREADY MADE
• This event has already made decisions and notified
submitters for the current cycle. Submissions are no longer being
|The Narrative Feature category is for fictional films that run 40 minutes or longer. Animated and Experimental films that meet these guidelines also qualify.
|The Documentary Feature category is for non-fiction films that run 40 minutes or longer. Animated and Experimental films that meet these guidelines also qualify. We are pleased to have Pivot as our documentary film sponsor for 2017.
|The Narrative Short category is for fictional films shorter than 39 minutes and 59 seconds. The winner of this category becomes Oscar-Qualified for the Academy Award® for Best Live-Action Short Film.
|The Documentary Short category is for non-fiction films shorter than 39 minutes and 59 seconds. The winner of this category becomes Oscar-Qualified for the Academy Award® for Documentary Short Subject. We are pleased to have Pivot as our documentary film sponsor for 2017.
|The Animated Short category is for films shorter than 39 minutes and 59 seconds that feature primarily animated content or stop-motion animation. The winner of this category becomes Oscar-Qualified for the Academy Award® for Best Animated Short Film.
Films that feature live-action puppetry belong in the puppetry category.
|The Experimental Short category is for experimental films shorter than 39 minutes and 59 seconds. Films submitted in this category will be eligible only for Experimental programming. Our experimental thread champions films created with conscious, referential use of the medium, rejection of traditional narrative arcs, and opposition to mass media or conventional story-telling practices.
|The Music Video category is for original music videos (a visual accompaniment and/or representation of a piece of music generally 3-4 minutes in length) and music films (no longer than 20 minutes) that may be narrative, experimental, or animated. Songs must be the ORIGINAL composition of the band or musician featured in the video. Covers will not be considered. 'Music videos' are eligible for our Music Video Competition, while 'music films' screen at our SOUND + VISION event as gallery-style installations at The Goat Farm Arts Center.
|The Puppetry Short category is for films shorter than 39 minutes and 59 seconds that feature live-action puppetry primarily but not necessarily exclusively. Stop-motion films belong in the Animated Short category.
|Pilot episodes may include presentations or full-length pilots between 5 and 60 minutes long. Episodes include television, mini-series and/or webisodes.
|Feature scripts and television scripts must be the original work of the writer(s).
Feature Scripts may be within 80-130 pages in length. Anything outside of that page range will not be considered for the competition.
Television Scripts may be between 10-70 pages in length. Upon submission, the writer must indicate the nature of the television script: webisode, comedy, drama, or any combination of the above.
Screenplays must be submitted in English.
MISSION & OBJECTIVE
Leading the community in creative and cultural discovery through the moving image.
ABOUT THE FESTIVAL
Now approaching its 41st year, the Atlanta Film Festival (ATLFF)—an Academy Award®-qualifying festival—is the southeast’s preeminent celebration of cinema and flagship production of the Atlanta Film Society. One of the largest and longest-running festivals in the country, ATLFF showcases both emerging and established artists’ works. The 40th anniversary festival saw nearly 25,000 film-lovers join 300 attending filmmakers in support of the moving images that push the boundaries of independent cinema.
Every spring, our 10-day festival—recognized as the Best Film Festival by Creative Loafing, Sunday Paper, 10 Best, and Atlanta Magazine—presents local and international works selected from over 4800 submissions representing 37 countries. ATLFF has been named a “Top 50 Festival Worth the Fee” and “25 Coolest Film Festivals in the World” by MovieMaker magazine. Historically, ATLFF’s program is comprised of nearly 80% submissions.
ATLFF actively seeks inclusive films that reflect or feature people of color, LGBTQ (Pink Peach), female (New Mavericks), and/or experimental subjects and themes. Our experimental thread champions films created with conscious, referential use of the medium, rejection of traditional narrative arcs, and opposition to mass media or conventional story-telling practices.
ATLFF’s continued exposure is in part thanks to growing distributor and press outlet attention. Previous attendance includes Participant Media, Cinelicious Pics, Paramount, HBO, Turner, NBC Universal, Comcast, Kickstarter and Seed & Spark. Past media coverage local and national includes Atlanta Journal-Constitution, Filmmaker Magazine, Garden & Gun, Backstage Magazine, Hollywood Reporter, IndieWire, Creative Loafing, WABE, and WSB.
The Georgia Film Award—to be unveiled at the 2017 festival—will honor a Georgia-made film from any filmmaker with a current Georgia address. Those eligible for entry in the Georgia Film category will pay a subsidized $20 submission fee (early, regular and late). Georgia Film submissions will be considered for additional competition categories as applicable.
Cash prizes ranging from $500-$1,000 will accompany the Best Narrative Feature, Best Documentary Feature, Best Narrative Short, Best Documentary Short, Best Animated Short, and Georgia Film Award distinctions.
Since developing our Screenplay Competition in 2008, ATLFF has worked tirelessly to highlight and foster the works of talented writers. In our competition, we look for innovative and compelling storytelling, for characters that surprise and challenge us, for words that pop off the page, and for narratives that twist and turn like country back roads. This year we’re accepting both feature scripts and pilot scripts, and you’re more than welcome to submit in both categories.
We are pleased to have Pivot as our documentary film sponsor for 2017.
Jury awards are given for the following categories:
Narrative Features ($1,000 prize)
Documentary Features ($1,000 prize)
Narrative Shorts ($500 prize)
Documentary Shorts ($500 prize)
Animated Shorts ($500 prize)
Georgia Film ($1,000 prize)
New Maverick (TBD)
Audience Award - Short Film
Audience Award - Feature Film
Ali Coad (Screenplay Programmer); Alyssa Armand (Shorts Programmer); Cameron McAllister (Marketing Director); Christina Humphrey (Programming Director); Christopher Escobar (Executive Director)
By submitting your film you have read and agreed to all festival rules and terms and conditions. If you have any further questions, please visit our FAQ page: http://www.atlantafilmfestival.com/submission-faq/
1. The Atlanta Film Festival DOES NOT PAY SCREENING FEES. By submitting your film via FilmFreeway you acknowledge that the festival will not pay to present your work.
2. We highly encourage all works being submitted as an online screener (Vimeo preferred), if an online screener is not an option we will also accept submission on DVD (region 1 or 0).
3. Online screeners MUST have working passwords throughout the submission process. It is your responsibility to notify us if any changes are made.
4. If submitting on DVD, entries must be postmarked by the deadline date of the entry period in which a film was submitted. (For example, if you submit a film on the early deadline date, the film must also be postmarked as sent on that date.) Screeners will not be returned. Please do not send self-addressed stamped envelopes.
5. Entries must have been completed on or after January 1, 2016.
6. Feature Films must be theatrical premieres in the state of Georgia. There is no premiere requirement for shorts. We do not discriminate against films that are available to the public online, but that may disqualify you from Academy Award consideration.
7. Works in progress are accepted. While you may submit the final cut up until the late deadline, your original submission should be a fair representation of your final piece. Please include information as to what still needs to be completed (color correction, score, etc.) in your film file or on your cover letter.
8. All works selected must be available by January 24, 2017 for inclusion in the festival.
TERMS AND CONDITIONS
By entering your film for consideration for the 2017 Atlanta Film Festival, you authorize that your work is cleared for festival exhibition and accept full legal responsibility for the intellectual property therein. Entry into the festival constitutes permission to exhibit your work at the 2017 Atlanta Film Festival. The Atlanta Film Festival is also hereby granted the right to utilize an excerpt from any film submitted and accepted for exhibition at the Festival for promotional purposes. The undersigned shall indemnify and hold harmless the Atlanta Film Festival from and against any and all claims, liabilities, losses, damages, and expenses (including but not limited to attorney's fees, and costs of the court) which may be incurred by reason of any claim involving copyright, trademark, credits, publicity, screening, and loss of or damage to the screening videos entered. The Atlanta Film Festival may opt to withdraw your work from the festival at any time for any reason. The Atlanta Film Festival DOES NOT PAY SCREENING FEES. By submitting your film via Withoutabox you acknowledge that the festival will not pay to present your work. ATLFF reserves the right to disqualify any submission without refund of submission fees.
TERMS AND CONDITIONS
By entering your film for consideration for the 2017 Atlanta Film Festival, you authorize that your work is cleared for festival exhibition and accept full legal responsibility for the intellectual property therein.
Entry into the festival constitutes permission to exhibit your work at the 2017 Atlanta Film Festival. The Atlanta Film Festival is also hereby granted the right to utilize an excerpt from any film submitted and accepted for exhibition at the Festival for promotional purposes.